In the 19th Century, every one wanted to emulate the opulence that that these earlier clocks gave. Consequently manufacturers started producing clocks in great numbers and in rather flashy designs, that we quite often see being sold at antique fairs and the like.
The word that matters in description is
'ormolu' which means a hard base metal like brass which is rough cast before being chiselled and engraved by hand and finally coated with a thin amalgam of gold and mercury. (Which was a very poisonous process).
Cheaper 19th Century mass produced clocks have a similar appearance- at first sight- but they are made of spelter. This is a soft metal that is simply cast and gilded. Clocks with decoration of this kind usually sell for a quarter of the price of a quality ormolu piece.
The real test is to scratch the underside of the clock; if the gold colour comes away to reveal grey metal then it is spelter, if brass is shown then it is ormolu. Another test is to tap the case with coin. If that sounds sharp and pings, you have hard metal, i.e.brass etc; if it is a dull thud then it is soft, i.e. spelter.
Early French makers to look for, are names like
Lepine, Janvier, Armand, Lepaute and Thuret. They made very elaborate clocks at the end of the 17th Century. Own a clock with one of these makers' names on and you have a clock of considerable value. Points to look for are a verge escapement, which looks rather like a revolving horizontal crown with sharp teeth just above the pendulum. Pendulums should be pear shaped bobs on brass rods. Also painted face or porcelain numerals and a winding hole in position you would least expect it.
An example of an early Verge Escapement.
Skeleton Clocks.
It has generally been thought that apprentices made skeleton clocks so examiners were able to see the workings and quality of workmanship. This may well have been the case in how they first came about but in the 19th century when most of these clocks were made, the Victorians liked them and they became very popular. English ones are of fret cut brass, with silvered brass chapter rings, usually housed under a glass dome on a wooden base.
French skeleton clocks were usually much smaller with solid front and back plates, which were often engraved. Later examples were made with enamelled chapter rings.
Wall Clocks
Although wall clocks had been in existence for some time, in one form or another, it was not until
William Pitt imposed a tax on clocks, in 1797 that the incentive to manufacture large wall clocks that could be hung in public places for all to see, came into being. This is why many large wall clocks today are refereed to as
Act of Parliament Clocks.
By the time of the
Regency period (c1812-1830) wall clocks had reduced in size to about 18 inches in diameter, many were veneered in rosewood and inlaid with brass scroll inlay.
The longer Victorian wall clocks are referred to as
Vienna regulators and the case is usually mahogany with an elaborate pendulum. Most of which, you will see are spring driven. The more expensive and better quality ones are driven by weights.
Restoration materials for clocks etc.